Dystopian novel introduction

prison camp novel and the dystopian novel [works such as Yevgeny Zamyatins We, Aldous Huxleys Brave New World, and George Orwells Nineteen Eighty-four], derive from his writings. His ideas and formal innovations exercised a profound influence on Friedrich Nietzsche, André Gide, Camus, Jean-Paul Sartre, André Malraux, and Mikhail Bulgakov, to

of a uniquely modern genrethe anti-Utopian novel. His influence as an experimental stylist and as an exponent of the cosmopolitan-humanist traditions of the European intelligentsia was very great in the earliest and most creative period of Soviet literature.

A modern literary genre, the dystopia, was invented by Yevgeny Zamyatin in his novel My [1924; We], which could be published only abroad. Like Aldous Huxleys Brave New World and George Orwells Nineteen Eighty-four, which are modeled on it, We describes a future socialist society that has turned out to

The counter to utopia is dystopia, in which hopes for betterment are replaced by electrifying fears of the ugly consequences of present-day behaviour. Utopias tended to have a placid gloss of phony benevolence, while dystopias displayed a somewhat satanic thunder.